Hitting on a raw nerve
HITTING (ON) WOMEN
Action Theatre
The Room Upstairs
Last Friday
Hong Xinyi
Your skin is so thin, an ex-lover says of this play’s nameless protagonist at one point.
The remark carries the sting of an accusation in that particular scene: Why do you get hurt so easily, why do you take things so much to heart?
Janice Koh’s portrayal of this damaged woman hinges very much on this quality of thin-skinned vulnerability. A charismatic and often canny actress, she references a variety of exercises aimed at honing and strengthening the body, from aerobics to yoga.
But despite the lean muscularity of her bared arms, this woman remains a wisp, a slip of a body that seems always on the verge of crumpling and collapsing. Her eyes brim with sudden tears at every turn – especially when she laughs, with genuine warmth, at recollections of happy moments in a former abusive relationship.
It’s a disciplined and unsentimental rendition of someone who is trying with all her might not to unravel and easily the best thing about this production. As the sometimes violent ex-lover Karen who haunts Koh’s memories, Serene Chen brings a sense of gauche, boyish bravado to the role. Her swagger never feels real and there is something very touching and very terrifying about her blows – they have the pleading vehemence of a child throwing a tantrum.
Directed by Samantha Scott-Blackhall, the tensions and seductions of this relationship are rendered with exacting skill by playwright Ovidia Yu and utterly riveting when considered on their own.
Some aspects of the staging, however, were distracting. The dramatic device of various other minor characters making brief appearances was awkwardly integrated and, at times just seemed like an amateurish sitcom flourish despite a few fun comic moments.
The set, which consisted of a giant table and chair and many coils of telephone wires covering the stage, was a bit of a hit-and-miss. There is a moment when Koh deliberately covers herself with a blanket of the entangled wires, nestling inside with an enraptured, resolute expression that is a poignant encapsulation of how people wallow.
Mostly, however, the wires looked a lot like masses of instant noodles and the giant furniture gave a jarringly cartoonish accent to what was most certainly a very adult play.
Review of Hitting (on) Women
Thursday, August 16, 2007
Posted by Charm at 8:06 PM 0 comments
Labels: Hitting (On) Women, ST
Hitting (On) Women (R18) - 10 Aug - 19 Aug 2007 3pm & 8pm
Friday, August 10, 2007
ACTION Theatre is proud to present the premiere production of Hitting (On) Women by award-winning playwright Ovidia Yu. Voted Best New Play at Theatre Idols 2007, this hard-hitting, humourous and heartfelt piece will show you a side to women you've never seen before...
The play begins when a woman learns of the death of Karen, an ex-lover she has not seen for twenty years. Trying to decide whether to attend the memorial service, she is "visited" by Karen and they return to the private world they shared to resolve or at least try to understand their love... and the abuse, hurt and healing, loss and renewal of their relationship -- with constant interruptions from a mother who never changes and girlfriends who never stay the same.
Compelling, witty and touching, this play triggers both laughter and tears --sometimes at the same time. It also guarantees you'll never look at panty liners and Tiger Balm lotion the same way again!
Starring Janice Koh (Life! Theatre Award for Best Actress from Proof), Serene Chen (Best Supporting Actress from Asian Boys Vol. 2), Benjamin Ng (Best Supporting Actor from Titoudao), Loretta Chen and Peggy Ferroa. Directed by Samantha Scott-Blackhall and produced by Ekachai Uekrongtham.
Posted by Charm at 11:36 PM 0 comments
Labels: Action Theatre, Hitting (On) Women, Ovidia Yu